Showing posts with label Claire. Show all posts
Showing posts with label Claire. Show all posts

May 20, 2014

Auckland Writers Festival 2014: "Mirrorworlds" with Cornelia Funke

Guest post by Claire Gummer, Readers Services, Central City Library.

I came to the Auckland Writers Festival session with fantasy writer Cornelia Funke prepared for anything – and in particular for taking notes. Yet on pulling my writing equipment out of my backpack I found that the lead of not just one but both my shiny red pencils had broken. Funke could surely create some otherworldly explanation or solution; I simply had to hope my memory would serve me when I wrote about her “Mirrorworlds” session for Books in the City.


Funke, a vibrant 55-year-old, is German. While she can definitely be described as funky, she pronounces the ‘u’ in her name like the ‘oo’ in ‘book’ (rather than the ‘u’ in ‘fun’) and the ‘e’ like ‘er’ in ‘booker’. Her English is better than most native speakers’, though she still writes – handwrites, actually – in her first language. She describes her English translator as a little old lady who lives in Cambridge, England, and who is wonderful at suggesting words that capture the essence of characters more effectively than a direct translation, which might sound clunky in our language. So in the German edition of her novel Dragon Rider, for instance, her characters Sorrel, Twigleg and Firedrake have completely different names.

Funke’s readers are mainly children and young adults. As she says, however, grown-ups are permitted to enjoy her books as well, and more than a sprinkling of these were present at the session I attended. Interestingly, though, her questioners at the end – when audience members were invited to take a turn at the microphone – were a succession of school students whose communication skills would shame most adults. (Perhaps they had come better prepared than I.) Funke’s interviewer at the festival was also very articulate and perceptive. She was Dr Anna Smith, who teaches children’s literature, adolescent fiction and contemporary ‘supernatural’ texts at the University of Canterbury. Never again let it be said that children’s lit is for writers and readers who are less than intellectually adept!

Some people will have heard of Funke through the film adaptation of Inkheart, the first novel in her ‘Inkworld’ series. But please don’t judge her books on the basis of the movie, which she found very disappointing despite the sincerity and creative energy of its makers. The author is willing to engage with technology – she has recently released an iPad app relating to Mirrorworlds – but it seems she won’t fall for Hollywood again, and neither should we: it’s better to explore the books.

Years ago I read Funke’s first novel to be translated into English, The Thief Lord, and loved it. It’s taken me a long time to come back for seconds but now I’m reading her second ‘Reckless’ novel, Fearless, in which “Jacob Reckless faces death in the world on the other side of the mirror” (I can’t put it better than the blurb). The story and the language crackle and fizz with energy, and in person Cornelia Funke is similar. She is quite the dynamo, appropriately so, as in English ‘Funke’ means ‘Spark’. It’s a brilliant name … I wonder if, like lots of other clever things, she made it up?

Funke’s books are available at Auckland Libraries, when they’re not out on loan to her substantial number of local followers. Library members can also check out some interesting reviews and other information by signing into and searching the Literature Resource Center in our Digital Library.

May 18, 2010

The vagrants by Yiyun Li

Claire Ryan contributed this review of The vagrants, whose author, Yiyun Li, appeared at the AWRF 2010. It's set in provincial China in the aftermath of the Cultural Revolution.

It's not often that you read a novel that feels polished, truly finished. One definition of art is a creation which holds a mirror to reality, and this book does it so beautifully that the mirror-looking is effective, yet almost painless.

The characters in The vagrants come to life so vividly it's as if they're on film, rather than sketched out in words on the page. It's astounding how one book can capture so much -- about China, her history and people, spirit, fate, hopelessness, mistrust, courage and love in all forms. It leaves you wondering about your own strength. When you ask people who have lived under communist rule: "What was it like under communism?", and they cannot or will not say, this book provides the answers.

Whether you're looking for a political or historical snapshot, a tale of humanity or piece of art, The vagrants will leave you contemplative, sombre but peaceful. Yiyun Li's writing is sublime, delicate and capable of portraying the most powerful, observant images. The vagrants is gentle as a lullaby, yet Li's firm voice streams through.

AWRF10 - Saturday May 15: Charlie Higson


Thanks to Claire Scott for contributing this post about Charlie Higson's appearance at the AWRF 2010.  I'm sure he is very popular at the beautiful Grey Lynn Community Library she manages so well (that's her customers talking, not me, although I think it too!)
Having worked as a comedy writer and performer in British television, Higson's name wasn't really linked in any notable way to penning books until the immensely popular Young Bond series for children and teens hit the streets in 2005. For Higson, the request from the Fleming Estate to write the series of five books on James Bond as a boy and young man was too good an offer to resist. Not only was he starting with a ready made character in the form of Bond, he got to write about every male's ultimate lifestyle. You never see him at home in any of the Bond movies or books, you never meet his family, and you never see him performing mundane domestic tasks such as washing the dishes or unblocking the loo.

However, in giving Bond a past, Higson didn’t have much to go on. In fact, the only clues were found in Ian Fleming's book You Only Live Twice in which James is believed to have died, and M writes a fairly full obituary. From that we learn that his parents died in a mountaineering accident, that he had no brothers or sisters, and that he was educated at Eton. So setting the scene for James the boy required continuity in this regard. The rest was over to Higson. "After all," he says. "It's every parent's fantasy to have no kids, and it's every kid's fantasy to have no parents."

Higson admits he had no experience at writing in this genre, so he tried chapters out on his own three boys as he completed them. "More death and murders!" was their clear opinion, so he upped the violent ends to evil characters a notch. Of course, diehard Bond fans found the new series hard to take. They didn't want a "Harry Potter" boy Bond.
Higson has now moved on to a new series, the first of which, The Enemy, was published last year, and the second of which, The Dead, is due out in September. He has changed genre completely for this teenage zombie series, some of which has had to be watered down and children's ages advanced to meet the more protective and sensitive United States market requirements.

He is still writing adult comedy and has recently completed a new series about post-apocalyptic Britain called Bellamy's People for the BBC. When asked about the possibility of movies being made of theYoung Bond series, Higson felt that this was unlikely. As all rights are controlled by the Fleming Estate, it would be very confusing to produce both adult and children's versions of the same character simultaneously. Explaining away the time differences between adult and children's movies would be just too confusing, as the Young Bondseries is set as Fleming intended it, in the 1920s and 30s.

And finally says Higson, "It would just be too hard to find a 13 year old boy with the charisma of Sean Connery and Daniel Craig."

 
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