Showing posts with label Stephanie Johnson. Show all posts
Showing posts with label Stephanie Johnson. Show all posts

May 28, 2017

"Must Not Reads" at AWF17

Amber from Parnell Library also went to hear the "Must Not Reads" session at the Writers Festival, where a panel of writers presented their choices of writing you should never read. Here's the post she wrote for us about it  -- definitely not a "Must not read"!

As someone who loves – LOVES – to complain, I was pretty amped for "Must Not Reads". What I imagined was four writers griping for an hour, unstructured, just bitching. I wanted to hear what they hated and who was a total waste of time and just a terrible writer and really sexist, derivative, totally phoned in etc.

It wasn’t really like that at all, but it was still pretty good. Chaired by Rosemary Tan, the four panel members were: Brannavan Gnanalingam, Roseanne Liang, Bill Manhire and Stephanie Johnson.

Stephanie began with a truly retro passage from a Harold Robbins book (forgive me for forgetting particulars) that featured all of the elements of your standard vintage popular fiction love scene: breathiness, women begging to be hurt and saying things like “you’re so strong!” to their dour male suitors. It was gross and I’m glad I mostly read Goosebumps and Horrible Histories as an adolescent – although, her story about a cousin who used to charge other kids money for finding and reciting the dirtiest bits in these kinds of books was very impressive.

Stephanie Johnson
This was followed by a fairly predictable but quite understandable pick: Fifty shades of Grey– Roseanne Liang’s choice. Bill Manhire was invited to read out an appropriately carnal passage which naturally is scorched into my memory and will resurface periodically until I die – thanks for that, Bill.

Roseanne Liang

Brannavan Gnanalingam chose V.S Naipaul’s A bend in the riverdrawing comparisons to Heart of darkness and reasoning that if it were written by a white man it might have been seen a little differently – ie it might have been assessed as racist in its depiction of Africa as a fundamentally violent and ill-fated expanse. And that it probably wouldn’t have been nominated for the Booker Prize either – apparently Paul Theroux had a hand in ensuring A bend in the river didn't win (due to its lazily racist slant), which I found confusing because in my very minimal experience with Theroux I found him to be scornfully racist?

Gnanalingam also cast aspersions on one Ian McEwan book in particular which again I cannot remember – stating that that if you like McEwan you will not like his books. Gnanalingam got as close to the kind of popping off I was hoping for, so I’ve decided I have to read his books – he seems like a great guy, and I always found McEwan a bit boring.

B. Gnanalingam (photo Candy Capoco)
Bill Manhire complained mostly about small annoyances like poems being butchered for garden advertisements and newsletters – rearranged to look all nice and properly “poem” like, totally obliterating any of the original structure. I can definitely get behind this kind of grievance. He also mentioned The Three Christs of Ypsilanti: A Psychological Study by Milton Rokeach which no longer feels quite right to him morally. I on the other hand added it to my “Must Read” list (yes it does seem rather cruel to stick together three psychiatric patients who all think they’re Jesus, but it also sounds like a great read!).

Bill Manhire (photo Grant Maiden)

Stephanie’s second choice was Zealot: the life and times of Jesus of Nazareth by Reza Aslan, which apparently ruined the last fragments of long abandoned Christianity she was clinging to. She talked a lot about it, but really all I could think was: “Boohoo?”

Roseanne’s second choice was Lena Dunham’s Not that kind of girl, which felt like “fair enough” until she admitted that it was over the molestation controversy, which the other panel members judged as seeming very far-fetched and willfully dense (an opinion to which I generally adhere, although in the the context of the book it’s endlessly debatable) and to which she sort of went “Yeah, like I liked it and I used to like her but then that happened so… idk?”. If I was looking for something to classify as phoned in, it would be that choice of  “must not read”.

There were some classic arguments raised throughout the evening – the death of the author, whether or not we need to care that our literary and cinematic heroes might be pedophiles or racists, whether “trigger warnings” are ridiculous (Hi Stephanie – they’re not! Love from a delicate millennial).

All in all, it was a pretty enjoyable evening, but I’d have appreciated some teeth – so it’s lucky that I love to complain!

May 16, 2013

Opening night at AWRF 2013: Great show!

New Zealand Listener Gala Night is the official name of the event which launched a thousand AWRF sessions -- well, maybe not a thousand exactly but lots, plenty for everyone, I'd say, even with two superstar events, the lunch with Sir Max Hastings and the concert by Leonard Cohen biographer, journalist and rock chick Sylvie Simmons plus New Zealand's own Don McGlashan, sold out. At the Opening Night party a number of tales were being told of the machinations and subterfuges being used by frustrated Cohen-Simmons-McGlashan fans attempting to procure a place at the latter. I'm not sure if Max Hastings fans were doing the same; they might be thinking of just walking on in, as Sir Max famously walked on in to Argentine-occupied Port Stanley ahead of the British troops during the Falklands war.

The Book Council's True Stories Told Live format was reprised for this AWRF 2013 Gala Night, an infinitely superior choice to those serial 10 minute readings which were always so unsatisfying. The storytelling is... I was about to start hunting for a suitably enthusiastic word when I remembered that tonight they had actually all been used by Carol Hirschfeld. Wild, wooly, serious, frivolous, entertaining, provoking ... and that was just during her introduction -- her wrap up had again as many. The adjective which at least for me was the most significant of all, she practically threw away. "Eight writers are here to share a personal story -- " pause, reload -- "personal and true, inspired by the theme An Open Book."

And they were all true, you could tell, while at the same time being such stories, which has to be different than being true, although not exclusively so, of course.

Scottish poet Jackie Kay's story was about meeting her Nigerian, bible-toting (in a plastic bag!) biological father for the first time and realising that the only thing they had in common was their toes.

Peter Bland told of living for years with a father who existed only in a photo, taken in Africa, showing a strapping young man with his foot on an elephant, presumably dead, and then one day coming home to find "an old, fat, bald man sitting there -- my Dad".

Shehan Karunatilaka was an unknown to me, a Sri Lankan novelist who landed in Whanganui with his family as a boy. It wasn't easy being a Sri Lankan in Whanganui twenty years ago. His story took place in 1990, when he was 15, depressed and despondent, spending his time alternately crying and masturbating. Send me a sign, he asked God, who dropped a copy of Mayfair magazine in his path in reply. In the magazine, as well as the girlie photo stuff there was an article about the Police, his favourite rock group, which sent him off to Whanganui Library for a biography of Sting mentioned in the article. And what followed that was Lolita, The Sheltering Sky and the rest is history, as they say. "The book that changes your life doesn't have to be Moby Dick", he said. "It can be an old Mayfair magazine, stuck-together pages and all."

 Demonstrating a flair for the obsessive, Carlos Ruiz Zafón had hunted down a bookstore called "Acres of Books" in his adopted city of Los Angeles, because it had been recommended by Ray Bradbury. It contained a place called The Fiction Annex where you needed a flashlight just to find your way. Was it the Cemetery of Forgotten Books? Who knows...

And that fantastic Fast talking PI poet, Selina Tusitala Marsh, was as always sharp, funny and loving: "I didn't grow up in a house with books", she began. "The Bible, the phone book... but the first open book in my parent's house was my PhD thesis -- being used as a doorstop".

Everyone will have had their favourite line, of course, and mine was Stephanie Johnson's almost Raymond Chandleresque opener (her hair style very Lauren Bacall to boot), "You reach an age when you are to yourself an open book".

An auspicious start to a long weekend full of good stories about books. Festival Director Anne O'Brien calculates that there are 150 "writers and thinkers" appearing, and not all at a cost. The Festival has way more free events than ever before, including readings sessions every afternoon. The full programme is here. Auckland Libraries staff will be out in force at the Festival of course, and giving you the lowdown here on Books in the City.

However you decide to do it, if you're a reader you owe it to yourself to sample the wares. As Anne O'Brien promised the faithful tonight, "Seduction is waiting for you around every corner". Or was that what Sylvie Simmons said when she was talking about her days as a rock journalist in the '70s, adding, "Not going to happen, you knew where it'd been".

 
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